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Zama DVD/Blu-ray/Online poster
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Zama DVD/Blu-ray/Online

A film by Lucrecia Martel

2018Also on disc & on demand

Synopsis

Lucrecia Martel's first film in 10 years premiered in Venice 2017 to huge acclaim.

Zama, an officer of the Spanish Crown born in South America, waits for a letter from the King granting him a transfer from the town in which he is, to a better place. His situation is delicate. He must ensure that nothing overshadows his transfer. He is forced to accept submissively every task entrusted to him by successive Governors who come and go as he stays behind.

The years go by and the letter from the King never arrives. When Zama notices everything is lost, he joins a party of soldiers that go after a dangerous bandit.

It is adapted from Antonio di Benedetto’s 1956 classic of Argentine literature, recently published by the New York Review of Books - and available to buy here. New Wave Films also released Lucrecia Martel's previous film, The Headless Woman (La Mujer sin Cabeza).
The DVD and Blu-ray include an exclusive interview with Lucrecia Martel.

Where It's On

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Trailer

Director — Lucrecia Martel

Born in 1966, Martel studied animation at Avellaneda Experimental (AVEX), attended the National Experimentation Filmmaking School (ENERC) for several years, and studied Communication Science. She directed a number of short films between 1988 and 1994, including Rey Muerto (Dead King), when was part of Historías Breves I (Brief Tales I). In 2001, Martel directed the film La Ciénaga (The Swamp), which won awards in Berlin, Havana, Toulouse, and Sundance, among other festivals. In 2004, Martel wrote and directed La Niña Santa (The Holy Girl), which premiered in competition at the Cannes Film Festival that year. In 2008 came The Headless Woman (La Mujer sin Cabazo), and now after a long interval, Zama, which premiered in the 2017 Venice Film Festival.

Filmography

2018: Zama

2007: The Headless Woman (La Mujer sin Cabeza)

2004: The Holy Girl (La Niña Santa)

2001: The Swamp (La Ciénaga)

1995: Rey Muerto, short



Martel

Cast & Credits

Production


Director & screenwriter

Lucrecia Martel

Cinematographer

Rui Poças

Editors

Miguel Schverdfinger, Karen Harley

Sound

Guido Berenblum

Production Designer

Renata Pinheiro

Costume Designer

Julio Suarez

Sound Designer

Guido Berenblum (ASA)

Sound Mixer

Emmanuel Croset

Make-up

Marisa Menta

Hairstyling

Alberto Moccia

Casting

Verónica Souto, Natalia Smirnoff

Assistant Director

Fabiana Tiscornia

Music Los Indios Tabajaras

Line Producer

Javier Leoz

Executive Producers

Pablo Cruz, Gael García Bernal,


Diego Luna, Angelisa Stein

Associate Producers

Guillermo Kuitca, Juan Manuel Collado,


Fabiana Tiscornia, Elvira González Fraga, Alejandro Musich,


Gonzalo Rodríguez Bubis, Julia Solomonoff

Co-Producers

Pedro Almodóvar, Agustín Almodóvar, Esther García,


Marie-Pierre Macia, Claire Gadéa, Juan Pablo Galli,


Juan Vera, Alejandro Cacetta, Eva Eisenloeffel,


Leontine Petit, Joost de Vries, Michel Merkt,


Luís Urbano, Georges Schoucair, Joslyn Barnes,


Danny Glover, Susan Rockefeller, Juan Perdomo, Natalia Meta

Producers

Benjamin Domenech, Santiago Gallelli,


Matías Roveda, Vania Catani

Co-production Companies

El Deseo, Patagonik, MPM Film, Canana, Lemming Film,


KNM, O Som e a Fúria, Louverture Films, Schortcut Films,


Telecine, Bertha Foundation, Perdomo Productions,


Picnic Producciones, Punta Colorada de Cinema

Production Company

Rei Cine, Bananeira Filmes

CAST
Don Diego de Zama Daniel Giménez Cacho
Luciana Piñares de Luenga Lola Dueñas
Vicuña Porto Matheus Nachtergaele
Ventura Prieto Juan Minujín
Malemba Mariana Nunes
Fernandez Nahuel Cano
Capitan Parrilla Rafael Spregelburd

2017


Argentina, Brazil, Spain, France, Netherlands,


Mexico, Portugal, USA


115 mins


1:1.78, 2K, 5.1


Certificate 15

The Critics

★★★★★

'In Lucrecia Martel’s magnificent drama, a Spanish officer stuck at a remote South American outpost numbs his burgeoning panic with erotic reveries…It’s a film that returns Martel to her themes of guilt, sex and shame – her first picture, in fact, since the enigmatic The Headless Woman 10 years ago. But Zama, with its eerie andante tempo and period setting, gives her ideas a new exalted platform, a new theatrical and formal grandeur.'

Peter Bradshaw, The Guardian

★★★★★
"Martel is back, after a nine-year absence, with the astonishing Zama"

Xan Brooks, The Guardian

"A cinematic marvel."

Manohla Dargis, The New York Times

★★★★★

Hard to suppress the hyperbole with this one. Truly an awesome achievement...Lucrecia Martel’s tale of colonial misadventure in South America is one of the great cinematic achievements of the decade.

David Jenkins, Little White Lies

★★★★★

"A beguiling, haunting, comic indictment of the ills of colonialism."

Matthew Anderson, CineVue

★★★★
'Lucrecia Martel’s startling, highly original new feature, Zama...a film that continually surprises us with both its brutality and its lyricism.'
Geoffrey Macnab, The Independent
'Astonishing.'
Ryan Gilbey, The New Statesman
★★★★

'Lucrecia Martel, the single most acclaimed filmmaker of Argentina’s New Wave, and a maker of taxing, sly, formally adventurous cinema not quite like anyone else’s… an absurd, ruthlessly funny take on empire.'

Tim Robey, The Daily Telegraph

'Zama confounds easy interpretation and on my second viewing I feel there’s still much to discover about this sumptuous, emotionally reverberant drama. It’s a thrillingly layered film, and is perhaps best experienced by surrendering to its intoxicating strangeness.'

Ed Lawrenson, The Big Issue

★★★★

Ten years ago Martel made a dreamy thriller called The Headless Woman that made delicate sense of Argentina’s brutal pecking order. She shows the same finesse here. She disorientates us with her sound design, she beguiles us with one of the most evocative soundtracks of the year. Music from Brazilian duo Los Indios Tabajaras playfully reminds us that a tropical paradise is never what it seems…where the film is intentionally vague, the music is precise. Civilisation is corrupt to its core.

Charlotte O'Sullivan, The Standard
★★★★
Martel is more interested in reappraising how we recall colonialism’s on-the-ground failings and the traces of colonial violence that make the film’s indigenous characters (and in one mirage-like scene, a llama) behave in weird, subtle ways, her gaze itself a vivid, drily funny act of decolonisation.
Simran Hans, The Observer
★★★★
'Exhilarating in its rich textures and heady strangeness.'
Edward Porter, The Sunday Times

Lucrecia Martel’s masterly adaptation of Antonio di Benedetto’s 1956 novel maroons Daniel Giménez Cacho’s preening officer of the Spanish empire in an Argentine backwater, then turns the screw.

Maria Delgado, Sight & Sound

"Intoxicating, spellbinding – and one of the best movies of the year…a slow-burn masterpiece."

David Fear, Rolling Stone

"A dizzying, sensory head trip."

Devika Girish, Village Voice

"This isn’t just a movie but a full-on miasma — a humid, atmospheric vision of a complex world conjured from the inside."

Justin Chang, The Los Angeles Times

"Had it been suggested to Di Benedetto in 1976, during his eighteen-month nightmare in the dungeons of state terror, that a ten-year-old girl in Salta would one day transform his first novel into an intoxicating and internationally-acclaimed film that confirmed and magnified its subtlest insights, he might have dismissed the scenario as pure science fiction."

Esther Allen, The New York Review of Books

"The finest film of 2018 so far."

K. Austin Collins, Vanity Fair

"This is one of the most atmospheric and transporting films I've seen all year, and also one of the best."

Justin Chang, National Public Radio


'Lucinda Martel: A Director Who Confounds and Thrills'

J.Hoberman, Interview, The New York Times

"Beautiful, hypnotic, mysterious and elliptical, “Zama” is a story about a man at odds with a world that he struggles to dominate, which becomes a lacerating, often surprisingly comic evisceration of colonialism and patriarchy."

Manohla Dargis, The New York Times

Bookings & Press

For film bookings please contact Colin Burch at Verve Pictures — [email protected]. Press resources are on the Press page.